《我的幸福5/2 週末》
*週日下午兩點誠品信義書店「廿世紀典範人物」新書分享會,我下午二時開始演講,離上次在台灣大學公開演説。快半年了!分享會報名一小時預告已額滿,但TVBS電視台慷慨的支持。派出SNG車,屆時TVBS文茜的世界周報YouTube 及世界周報Facebook 都將同步直播。
*新書分享會後我將直奔高雄衛武營,參加劉孟捷(李斯特巡禮之年)鋼琴獨奏會。這是劉孟捷回台,最重要的一場音樂會,我目睹他用盡了一切心力。過去即使21歲時在費城代打缺席大師的音樂會,劉孟捷都未曾如此緊張。他此次回台,手術前為了沒有遺憾,共舉行三場音樂會:其中4/17與5/30皆是與國家交響樂團NSO合作:530那一場指揮是呂紹嘉。但他告訴我,某些曲目對他而言,是Piece of Cake :惟獨衞武營這一場,曲目由他自己決定,現場錄影,並且找了金曲獎錄音師同步錄音。
5/2衛武營-劉孟捷鋼琴獨奏會《李斯特巡禮之年》購票連結
https://www.opentix.life/event/1384752689074294784
劉夢捷明白他即將面對一個大手術,手術風險之外,他的免疫系統疾病,將使他的康復之路更長。
沒有人可以預知未來,為了圓他的夢,醫院每天都要求他早上、晚上量血壓,報告直接傳給院長。振興醫院院長魏崢雖然是亞洲第一把心臟外科醫師,但也不敢大意。
畢竟這個人的生命那麼脆弱,他的心臟主動脈剝離,那是實質的「心碎」了:但他仍有詩,仍有音樂夢。在生命的交接處,在白日與黑夜的交义口,劉孟捷想為他的音樂生涯,留下最美好的紀錄。
他選擇了李斯特。
在這場音樂會前,他甚至以英文寫下了自己與音樂、疾病的半生回顧:如李斯特的巡禮,有仰望,有沉思,有失落,有幽微的疼痛。他以詩篇般的演奏模式,傾訴,詠嘆。他曾得到天賦,也走過死蔭的幽谷。命運是一層又一層的黑影逼近,老天爺隨時想帶走他。
而他已不再流淚,不再沉浸於悲愴告別:因為對他而言活著並不容易,他要讓自己更深刻的抓住每一分時光之美。
如果時間和空間,正如哲人們所形容的
都是不實際存在的東西:那從不感到衰敗的太陽,也不會比我們了不起多少!
他如艾略特的詩句中所形容的:我們為什麼要如此貪心總在祈禱,想活上整整一個世紀?
蝴蝶雖僅活了一天,已經歷了永恆。
當他的身軀如露水還在藤蔓顫抖時,他送給我們一場「完全浪漫又超技的李斯特」。
等音樂會結束了,至少有一張CD,一段YouTube 影像:不論孟捷代表生命的那朵鮮花是否枯萎,他彈奏如天使的音聲不會飛離,它會停留在那夜,繼續釋放芬芳。
這是盡生命之力、之情獨奏的音樂會。劉孟捷説:這樣當他走進手術室時,會少一點悲傷。
或許快樂的日子本來就不多,但讓這場「完全李斯特.完全劉孟捷」的獨奏會放出神聖的光彩吧!
我必將赴會,不會錯過!我知道此刻的獨奏會,很難複製,因為它綜合了太多的情感、愛念,釋放與生命的抒情。
*劉孟捷為此次獨奏會寫下的文字:This past year has seen some unprecedented changes in the world. Many lives have been lost and many have changed. The world has changed while many of us confront the uncertainty of the future.
For most musicians, life has changed. For months, we have been conducting our lessons online, and concerts have mostly stopped or become an online experience as well. More time has been spent learning how to improve the online teaching experience than one could have imagined. While I have felt the duty to continue teaching, the format the pandemic requires for teaching leaves me unwilling to spend more time than I have to.
And truly, I have had other things to deal with. When the pandemic started to worry the American public in March, I was in the middle of a tour with the String Quartet-in-Residence at Curtis, the Vera Quartet. However, our concerts were canceled, and everything came to a sudden halt.
I felt the universe had sent me an unexpected gift, as I had also just received some terrible news concerning my worsening aortic arches and a diagnosis of kidney cancer. The sudden halt in my professional schedule seemed perfect in its timing. I was able to settle into a monastic existence, to simply practice and attempt to heal.
I see many musicians itching to be concertizing again, and many stepped into new territory, performing on the internet. Many took time to develop new podcasts, and to write new materials for their art. Sadly, many have struggled as they have fallen into desperation without any concert incomes. Altogether the music industry seems to be in peril, and many worry about how music and musicians will survive.
However, I had my own survival to think about. Having been through many difficult experiences in my life, I knew this might be the most difficult I would encounter. My Doctors describe me as a walking time bomb. My condition could be lethal at any moment if my blood pressure gets out of control. So while others wrestle with the fate of the music industry, I’ve needed to face my own fate and mortality.
Playing concerts can mean many things to people. At different times throughout my life, I’ve felt the need to express different aspects of myself. When I was young, I wanted to embody the spirit of romanticism, playing lots of Chopin and Schumann. Then there was a period of time when I wanted to challenge myself by showing off pyrotechnics. I had a brooding period where I turned to the pathos of Rachmaninoff, and then felt the need to return to the purity of Schubert and nobility of Brahms. Throughout this pandemic, I wanted to play Bach. Through Bach’s music I found a kind of spiritual sanctuary.
In considering the program for this concert, I felt again the urge to play music that reflects my current feelings and state of mind. The title of today’s recital, “Years of Pilgrimage” seems to fit exactly what I am experiencing.
Liszt wrote several volumes of “Années de pèlerinage” throughout his life to reflect on thoughts he had during his travels. He links his philosophical thoughts to the scenery which inspired them. “Au Bord d’un Source” describes feelings of rejuvenation while standing next to a clear stream of water, a symbol and source of life and energy. It seems to say, when the stream is so pure, life can be so full of joy.
In the Les jeux d'eaux à la Villa d'Este (The Fountains of the Villa d'Este), the water has a magical and supernatural quality, as Liszt himself wrote in the inscription: "But the water that I shall give him shall become in him a well of water springing up into eternal life,"( from the Gospel of John.)
For me, I have never felt more connected to Liszt than when he looked upon the valley of Obermann and questioned the meaning of existence. At this moment in my life, I often find myself reflecting my experiences of what I see and read into philosophical musings. Perhaps many people come to a time when this is so.
In all this I have felt gratitude for the love stories and sonnets that one can romantically indulge in, and for storms so violent that they threaten to destroy one’s spirit, even the hell-bound journey which brings up questions about the purpose of life…
On this journey, I felt full and alive as a human being. Looking back on this journey, I am grateful for everything, whether happy or sad, to have made an impact, found and imparted meaning to this life.
The unusual time of this pandemic has marked a milestone for me. I have journeyed back home, and as it happened, this is the first time I have spent so much time in my hometown Kaohsiung in over 35 years. It’s particularly nostalgic to play these pieces as some of them were significant in my early musical career. Vallée d’Obermann was the piece I played in my first competition at the junior high school level, in which I won first prize on the national level, which allowed me to be qualified to apply for a special permission to study abroad. This meant my dream to be educated as a musician could be continued in an environment where I could develop fully. In the following year when I was 13, I won the first Asia-Pacific Youth PIano Competition with the Dante Sonata. The competition catapulted me into national attention as I was headlined in several newspapers, and especially since it was held in Kaohsiung, I became a local hero as well. During the same event, I had a fateful meeting with one of the important influences in my life, Mr. Gary Graffman, who then mentored me throughout not only the years when I was studying at Curtis, but throughout my illness and recovery as a pianist. Right before I departed to study in Philadelphia, I played my first solo recital throughout Taiwan, and along with the Dante Sonata, I also performed the three sonnets.
It’s perfect that now, back in Kaohsiung, all these memories have flooded back into my head. I feel so lucky to have been born here, and to have met my first teacher, Chin-Li Lee, who inspired me on the path to become a musician. Prof. Alexander Sung filled me with dreams of becoming an artist. I am grateful for his belief in my talent, when he chose to give a 12 year old such philosophical pieces to play.
Having once again spent some months in Kaohsiung, I can freshly appreciate the source of inspiration it once was for me. I have returned to the source to heal. Having already glimpsed hell’s gate several times, battered and weathered by the storms of life, I know there is a reason life is this way, and it all will be alright.
Meng-Chieh Liu
April, 2021
*劉孟捷衛武營《李斯特巡禮之年》演奏會中,包括李斯特以佩脫拉克三首情詩譜寫的鋼琴琴詩:這三首情詩是從大詩人佩脫拉克一百多首情詩挑出來的,詩本身就很優美,依此激發李斯特的浪漫主義創作靈感,成為琴藝上最困難演奏,但也特別細膩溫柔的琴詩。
這三首分別是:
〈佩脫拉克第47號十四行詩〉〈佩脫拉克第104號十四行詩〉及〈佩脫拉克第123號十四行詩〉。
Franz Liszt(1811-1886): Sonetto 47 del Petrarca, Sonetto 104 del Petrarca, Sonetto 123 del Petrarca, from Années de pèlerinage, Deuxième année: Italie
李斯特於1846年先出版藝術歌曲《三首佩脫拉克十四行詩》(Tre sonetti del Petrarca),再改成鋼琴獨奏版。
三首佩脫拉克十四行詩
中譯:焦元溥(元溥也是友情贊助,特別準備音樂資料,周日南下,聆賞劉孟捷的樂曲,並且陪同他盯著錄音共三天)
〈第47〉
祝福每天、每月、每年,
所有片刻與鐘點、時間與季節,
在那美麗的原野,
我為一雙眼眸魂縈夢牽。
祝福初遇時的甜,
與愛同在、受苦不停歇,
如弓箭刺穿令我淌血,
傷口永留感動在我心間。
祝福一切我發出的聲音,
當呼喚著我深愛的女郎,
渴望、嘆息、淚濕滿襟。
祝福我寫下的文字遠揚,
歌頌她的芳名,萬古長新。
我心永屬於她,無人能闖。
〈第104〉
我找不到和平,也無意打仗,
我恐懼、我期望,燃燒又冰透。
我向天飛升,卻躺在地上,
我一無所有,卻又擁抱整個宇宙。
我身陷囹圄,監牢又開敞;
我不受囚禁,卻銬著鎖頭。
愛情不讓我死,也不讓我飛翔;
不要我活,也不准我逃離悲愁。
欲看卻無眼,啞口還在發言,
我甘心殞滅,卻仍高聲呼救,
我痛恨自己,但仍愛著他人。
憂傷滋潤我,淚水伴隨笑臉,
生命不足惜,死亡也不煩憂;
我淪落至此,都是妳啊,我的愛人!
〈第123〉
我在塵世見到仙子的美,
她天堂般優雅無與倫比。
想起她讓我悲傷又歡喜,
所見如幻夢迷霧與幽黑。
妳的可愛眼睛使我落淚,
多少次讓太陽也要妒忌。
我還聽到四周發出嘆息,
移動了山嶽停止了河水。
愛情智慧憐憫憂傷財富,
在淚水中形成甜美聲響,
奇妙和諧世上未曾目睹。
天堂追隨著音樂的流淌,
雖然枝上樹葉並未飛舞,
空氣與風息卻充滿芬芳。
5/2衛武營-劉孟捷鋼琴獨奏會《李斯特巡禮之年》購票連結
https://www.opentix.life/event/1384752689074294784
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很想跟大家分享這部電影 #二次人生 @istillremember_2019 。只要你分享你跑步既故事,再tag 一個想佢一齊睇呢套戲既朋友,我會揀出一位朋友(fb/ig 合共1位)親手寄出呢兩張換票證。5月20日截止並公佈。如果揀唔中你,我都好希望你會入場睇呢套戲。
呢部唔止係一部直正香港資金香港製作既電影,仲係香港人既故事。
細膩又富美感既畫面,配上現實又真實既對白,令人飄盪於電影和自身回憶之中。
呢部電影令到我諗起人生好多事,同埋好多嘅人。
電影係關於10公里街馬,戲入邊,甚至真實中每一個人參加10公里都各有原因,目標亦都可以唔一樣,但其實都係要話俾自己聽「做得到」。
戲入面唔同嘅角色又好似我哋唔同嘅人生階段同感受,曾經我哋會透過為其他人打氣同時為自己打氣,曾經我哋會為咗目標不顧一切一鼓作氣,曾經我哋為夢想往未知獨闖,曾經我地望住身邊嘅人都比自己成功而自己一事無成,曾經我哋頹到想叫自己垃圾,曾經我哋喺理智同感情之間掙扎,曾經我哋發現錯失了既時光令我哋無法兌現承諾。可能呢啲係我哋曾經嘅經歷,亦可能係我哋而家面對嘅掙扎同埋茅盾。
人生同跑步一樣,無數既跌倒都需要爬起來繼續跑。
我覺得導演用「街馬」做主題,係要俾機會我哋欣賞香港嘅街道,仲要俾機會我哋去聽沿途既打氣聲。因為跑街馬聽到最多嘅就係「撐住」「跑埋去」「唔好放棄」呢啲全部都係香港人最需要嘅打氣。
戲入面有一個好好既訊息,無論旁人幾多既打氣,能令你跑落去既都係你自己既意志。無論點跌,都要靠自己站起來。人生亦是如此,所以呢啲打氣,自己都要俾自己。
希望大家都支持呢部百份百既香港電影,為每一個香港人打氣,亦都為自己打氣。💪🏼💪🏼
🏃🏻♀️我既跑步故事:由細到大我都係游水運動員,體能唔差,但極度討厭跑步。每次跑步無論氣管定係個肚總之都周身唔舒服。入行之後,游水就變得一件唔係幾方便嘅事,慢慢我就少左恆常既運動。然後人生中面對無窮無盡無法控制既事和不確定性,令我曾經陷入一段情緒同自我價值好低落之中,當時身體亦都非常之差,直到一日發覺唔可以唔可以再係咁,我去游水,釋放情緒,將自己拉出來。然後我見到朋友參加左一個短距離既三項鐵人賽,比賽日期就係我生日,我好想用完成賽事,嚟話俾自己聽,呢個世界依然有野係我努力可以做到。游水踩單車我都有把握,唯獨是跑步,呢樣野我真係好大挑戰,於是我每日練跑,每日都好痛,但又每日一邊跑一邊鼓勵自己跑多啲啲。到最後終於完成賽事,仲竟然有第一。就係咁,我搵返自己,感受到我既人生依然有嘢係我係可以做到。
之後我唔再怕跑步,但都唔會成日跑。每次亦不過5公里。直到一日因為公司想搵藝人參加10公里馬拉松,有監制推薦左我,我其實自己都唔知自己頂唔頂得順,但覺得既然有人賞識,不如起碼都盡自己能力練下先,於是我又係不斷練跑,每次都痛,但又每次叫自己撐住,再跑多啲啲再跑快啲啲。第一次比賽我都唔敢諗咩時間,只係希望完成到唔好失禮。直到比賽果日,可能真係有左好多既打氣聲,令到我跑起來無任何痛楚唔舒服,越跑越起勁。完成第一次之後,我再參加過好多次十公里比賽。我唔再驚跑步,甚至鍾意左跑街令我發掘左唔同既路段,想fit 我會去跑,想健康我會去跑,要比賽我會去跑,唔開心等會去跑,係跑步令我感受到人生中依然有野係因為我努力而做得到。
你既跑步故事又係點?希望你能跟我和大家分享。
#總要為人生歡呼一次
————————————————————————揀中嘅朋友已經收到我嘅私訊,揀唔中嘅朋友你哋嘅跑步故事亦都好好,好鼓勵,係好好嘅分享。希望你哋有時間都會入場睇呢一套咁正嘅電影。如果你而家先睇到呢個post,我都好歡迎你哋分享一下你哋嘅跑步故事
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【迎福園遊會 - 虛擬試穿傳統漢服】#奧海城
#AR技術 #虛擬試穿傳統漢服 #介紹漢服特色及文化 #現場漢服試穿打卡
#親子好去處 #新春好去處 #新年裝飾 #懶媽親子遊系列 #親子遊 #假日好去處
今日哲哲同兩個表姐仔咗奧海城嘅迎福園遊會,裏面有個AR虛擬試穿傳統漢服,真係好得意。首先可以揀咗自己想穿,唔同顏色嘅漢服同頭飾或者帽,之後就可以埋位打卡影相📸,再喺個網頁嗰度着返啲衫,啲衫仲可以配搭大細碼,保證fit到落去大人同細路身上😍
現場仲有好多打卡位,有佔地四千呎的古代街道場景,掛滿咗好多好靚嘅燈籠🏮,展現咗中國傳統嘅建築特色,好似穿過咗時光隧道,返到古代新春熙來攘往嘅街道。有小橋流水荷花池,個荷花池好大,好靚有好多荷花。有充滿中國建築特色嘅客棧同埋福字庭園,着埋啲賀年衫入嚟影相,就更加充滿新年氣氛❤️,仲有好靚嘅三米高桃花樹打卡位🥰。
現場有專人介紹漢服的種類、特色同歷史背景,簡直係「學玩食買」體驗!當中綢緞店,仲展示咗多套漢服,俾我哋更深入了解漢服文化!
現場其餘嘅攤位,同埋隔離仲有年花攤位,玩完之後仲可以去隔離蓮花攤位買盤蓮花返屋企👍🏻
✴️奧海城《迎福園遊會》✴️
日期📅: 2021年1月27日至2月28日
時間🕑: 中午12時至晚上9時
地點🔶: 奧海城2期主題中庭
——————————-
AR虛擬漢服照相館 (免費參加)
日期📅: 2021年1月27日至2月28日
時間🕑: 中午12時至下午6時
地點🔶: 奧海城2期主題中庭
———————————-
新春福運賀年展
日期📅: 2021年1月29日至2月11日
時間🕑: 中午12時至晚上9時
地點🔶: 奧海城2期主題中庭
———————————-
而家Olympian Kids會員,仲可以用唔同嘅Kids Points去換領禮品或者體驗漢服!
❣️漢服體驗
日期📅: 2021年2月6-7日(星期六、日)
時間🕑: 指定時段
地點🔶: 奧海城2期主題中庭
參加方法:S+ REWARDS及Olympian Kids會員於手機應用程式以點數換領預約證
———————————-
❣️「福氣滿門利是封」換領
Olympian Kids會員以1,600 Kids Points;S+ REWARDS會員以22點或持有「新春有禮」勳章之S+ REWARDS會員以16點換領一套
❣️「迎春接福利是袋」套裝
S+ REWARDS會員以68點或持有「新春有禮」勳章之S+ REWARDS會員以48點換領一套
❣️「新春尊尚套裝」賀年禮品換領
S+ REWARDS會員以1,168點或�持有「新春有禮」勳章之S+ REWARDS會員以938點換領一套或�S+ REWARDS會員以168點加HK$308換購一套
❣️「迎福園遊會」特別版精品換領
「漢服紙公仔換裝套裝」:S+ REWARDS會員以12點或持有「新春有禮」勳章之S+ REWARDS會員以6點換領一套�「漢服造型磁石貼套裝」(一套四款):S+ REWARDS會員以35點或持有「新春有禮」勳章之S+ REWARDS會員以25點換領一套
#親子blogger #hkblogger #全職媽媽 #29m #親子日記 #hkmama #hkbaby #igkids #hkkids #懶媽親子育兒記 #hkmamablogger #mamablogger #mamababy
懶媽親子育兒記�IG: https://www.instagram.com/lazymablog
FB: https://www.facebook.com/lazymablog
Blog: https://mamibuy.com.hk/home/19241
YouTube : https://www.youtube.com/channel/UCySr_iwfT-OTjvnn-5JAq4g
好時光17fit 在 爆頭仔 poonpoon1997 Youtube 的最讚貼文
先岀個幸福啲短啲嘅,過兩日會有當日嘅vlog睇咖?想知點解會去影婚紗相,留意下一條片啦?
^化妝師:Manman
Instagram: Mmmmman_man
https://www.facebook.com/mansweddingmakeup
^攝影師:Sidney
https://www.facebook.com/simplylifestudio/
https://www.facebook.com/sidneychanphotography
^Dress by Wcube bridal studio
https://www.facebook.com/wcubebridalstudio/
^BGM: Photograph - Ed sheeran
Loving can hurt
愛會傷人的
Loving can hurt sometimes
有時 愛傷人很深
But it's the only thing that I know
但我唯一能為你做的 只剩愛你
And when it gets hard
當愛情陷入冷戰
You know it can get hard sometimes
你也明白 愛情有時也有低潮
It is the only thing that makes us feel alive
但愛才能使我們體悟生命
We keep this love in a photograph
讓我們把愛當相片收藏
We made these memories for ourselves
我們可以選擇要放哪些記憶在相簿裡
Where our eyes are never closing
那麼裡頭便只有快樂
Hearts are never broken
也不會出現令人心碎的畫面
And times are forever frozen still
彷彿時間永遠靜止在那美好時光
So you can keep me inside the pocket of your ripped jeans
你可以把我放進你心中的口袋
Holdin' me closer
你可以緊緊抓住我的心
Til our eyes meet
即使我不在你的身邊
You won't ever be alone
你也不會感到寂寞
Wait for me to come home
等待也不再那麼漫長
Loving can heal
愛可以治癒一切
Loving can mend your soul
愛可以使你的靈魂完整
And is the only thing that I know
我唯一能為你做的 也只剩愛你
I swear it will get easier
我保證 我們的關係將會漸入佳境
Remember that with every piece of you
我會記得所有與你有關的記憶
And it's the only thing we take with us when we die
記得那些旁人無法搶奪的快樂
We keep this love in a photograph
讓我們把愛當相片收藏
We made these memories for ourselves
我們可以選擇要放哪些記憶到相簿裡
Where our eyes are never closing
那麼裡頭便只有快樂
Hearts are never broken
也不會出現令人心碎的畫面
And times are forever frozen still
彷彿時間永遠靜止在那美好時光
So you can keep me inside the pocket of your ripped jeans
你可以把我放進你心中的口袋
Holdin' me closer
你可以緊緊抓住我的心
Til our eyes meet
即使我不在你的身邊
You won't ever be alone
你也不會感到寂寞
And if you hurt me
如果哪天你的話語傷到了我
Well that's ok baby only words bleed
沒有關係的 我不會放在心上
Inside these pages you just hold me
回憶裡只有你緊抱著我
And I won't ever let you go
而我也永遠不會放手
Wait for me to come home
再等一等 我已離家不遠了
Oh you can fit me inside the necklace you got when you were 16
你可以把我的照片 放進那條你十六歲時得到的項鍊墜子裡
Next to your heartbeat where I should be
那麼你的心每跳一下 便能感受到我在你的心底
Keep it deep within your soul
讓我成為你靈魂的一部分
And if you hurt me
如果哪天你的話語傷到了我
Well that's ok baby only words bleed
沒有關係的 我不會放在心上
Inside these pages you just hold me
回憶裡只有你緊抱著我
And I won't ever let you go
而我也永遠不會放手
When I'm away
當我倆不在彼此身邊
I will remember how you kissed me under the lamppost back on 6th street
我總想著那時街燈下吻 多麼甜蜜
Hearing you whisper through the phone
聽著電話裡你的關心 我腳步加緊
Wait for me to come home
再等一等 我已離家不遠了
*多彩眼黑曜石 10mm
https://www.instagram.com/_kymanxx
黑曜石辟邪 擋是非小人 爛桃花 吸負能量
對應海底輪 增安全感
(*試用)
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#星期六 1100pm-0200am 直播時間
17/Snapchat:poonpoon1997
Instagram: @poonpoon1997
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Wechat: debbydomo
Fans Page - https://www.facebook.com/DebbyDomo
分享我的✔衣食住行
享受我的✔吃喝玩樂
165cm,18Apr.
❤Makeup|Shoes|Accessory|Watch
相機:Nikon D7000,L820/SJ5000
Editer: Imovie, Final cut pro x, Video Editer for samsung
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